A unique live interpretation of two superb compositions by Anthony Pateras, “Palimpsest Geometry” and “There is a danger only Our Mistakes Are New”, Outings this year on the Brussels Label Futura Resistenza under the title of Two Solos. The composer will be present at this evening, which will be opened by Michiko Ogawa, A Japanese artist based in Berlin. Trumpiness and composer from Narrm/Melbourne, Callum G’Froerer explores the expressive potential of unique instrumental techniques according to improvisations, interpretations and collaborations. By combining and activating various materials, The Australian transforms his trumpet into an interface where everything meets and where everything communicates. “Palimpsest Geometry” (2020), Compound for double flag trumpet and magnetic band, Share of rapid pulsations of simple trumpet notes linked to a very sustained tempo, To play on the perceptual threshold between rhythm and tremolo. The interaction of more or less rapid vibrations produces fleeting echoes, As if the instrumental strata formed only one and only its bouncing in the sound space. In terms of tonal height, The piece sometimes deploys a more retained variant of the swarm technique, as used in the work of György Ligeti, Where the various voices move away one by one of an initial harmony. But where Ligeti makes an often dramatic use of it, The technique is made here more fluid, almost hesitant - a perpetual movement in the motionless, such as small undulations on the surface of the water. Italian artist clara is practical licata various vocal techniques. She studied opera, Dance and contemporary music in conservatories and academies in Italy and elsewhere. In its vocal performance, It mixes tradition and modernity by means of interdisciplinary and transversal languages. “There is a danger only Our Mistakes Are New” (2021) for voice and magnetic band repeats, in a perpetual back and forth, a melodic cell of two constantly transposed notes, As appasted or sung with open vowels, From half-tone to third minor. The tonal purity of the licata always changes quickly in a great concern, which is reminiscent of Feldman's "Three Voices", But the effect at Pateras is much less austere. Music is marked by a veiled reverie, As if a fragment of a poem by Mallarmé set to music by Ravel had drifted and had spread into a myriad of scintillaments. We will open the evening with Michiko Ogawa (JP). She will offer us a classic repertoire, as well as more contemporary and experimental music, Made of improvisations and movies. Besides his main instrument, the clarinet, She plays the Hammond organ and the "sho", A Japanese mouth organ composed of bamboo pipes. His record displays collaborations with Samuel Dunscombe, Taku Sugimoto, James Rushford, Carolyn Chen, Golden fur, Lucy Railton, Klaus Lang, etc