Exercise led byClément Thirion

with thePE2 Cogniaux (Laurie Caillet, Nicolas de Nanteuil, Mary God, Sébastien Filipozzi, Noé Jaladeau, Elyse Lecomte, Léana Lemaire, Tianyuan Li, Victoria Van Diest, Anne-Claire Vercruysse)

Photo: Bernard Faucon

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To be born finally, Paul Tojvack knows that he must kill his mother, His designer. After going around in circles "there is always a wall that we cannot jump", launched his obsessions in bulk "and obstacles as in horse competitions", Paul then summons "screaming to pierce the sound wall" all those who make him what he is, in order to make room for any link. And it is by killing his mother "Eurgh Eurgh Raa Rrraah Soupir (his)" that he returns "Hou hou hou hou hou ouaaaaaaaaaaaaaaaaaaaa-iii"-but for how long?

The fountain in sacrifice takes place in four fairly different movements in form but which however all have one thing in common: that of telling the wandering of Paul by an endless use of sentences, scenes, of words, sounds, In search of "I". These parts are independent: there is no link between them. Just as his thought is built by fragments, Paul advances randomly of these ellipses in his quest for himself. He is no more master of his speech than his actions.

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All theater projects on:

www.artsaucarre.be/projects--heatre-2023