Archipelago, 31st edition! The International Sound Art Festival, Research and creation music moved from March 31 to April 9 at the Communal House of Plainpalais in Geneva. Welcome ! 12:00 p.m. - Listening lounge

Carol Robinson

Listening sharing #5


Composer and musician, friend of Éliane Radigue and Jürg Frey whose works she regularly performed, comes to make us discover and hear the music that she particularly likes.


More info: https://2023.archipel.org/fr/program/carol-robinson-partage-decoute

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7 p.m. - Salle des Pas lost

*Drone and bells*

Éliane Radigue, Sarah Hennies


Éliane Radigue: Occam River III, Carol Robinson, Nate Wooley

Sarah Hennies: Falsetto, for percussion and percussion recorded


First part


Éliane Radigue - Occam River III


After an ocean - Occam Ocean, Proposed in 2021 in archipelago by the Onceim ensemble - it is in a river invites us Carol Robinson and Nate Wooley. The writing of the composer is always recognizable there: no written partition is carried out and the transmission is done only orally. The music, slow, unfolds in the form of sound strata that envelop the physical and mental space.


Second part


Sarah Hennies - Falsetto


The artist talks about falsetto as a "strange performance, Physically demanding and stumbling, Inspired by the societal pressures of the experienced experience ". The theater of tensions, Between the expression and the relentless hegemony of the administration, materializes by the continuous tingling of small bells and the inflexible punctuations of a big drinking, wooden blocks and a rubber stamp. In a double acceleration made up of exaltation and crumbling, Sarah Hennies puts in her nerve dance of the passing, Created largely with everyday objects and bells purchased from second-hand for a maximum of $ 5.


Free


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9 p.m. - large room

*Magnetic Shadows*

Re-Ghoster Extended


Dreaming With the Lights On (2023) - Order of the Archipel Festival

Legos, Lagos, Logos (extended version)

Improvisation from Extended-Impressions


On the border between written music and improvisation, Re-Ghoster deploys its sounds on a double trajectory, that of acoustic instruments put in tension in a medium replied by that of a tape tape recorder, Imperfect echo whose voice whispers and rehash these past moments. A conversation with five crackles and breath, whose haunting and what is haunted.


This concert is also an opportunity to discover the new play by Nicolas Field, Dreaming with the lights on, Commissioned by the Archipel Festival.

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10:30 p.m. - Listening lounge

Sam Dunscombe / Costin Miereanu

Acous conversation (my) tick #6


*Psychoacousmatic session*

Sam Dunscombe: Two Fores / Oceanic

Costin Miereanu, Finite-terre


Sam Dunscombe is a sound artist interested in the multidimensional perception of time in music, A way explored from the angle of spectralism, Just intonation, in improvisation or by complex and precise systems, Using the clarinet and electronics. His compositions, make sound clusters, explore the tension of noise and harmonies, Currently in the field of psychedelic medicine and ways to serve it by sound.


Finis-Terre of 1976, also proceeds by accumulation in an irresistible way to form an extremely enveloping texture, Both rich and majestic. Standing room in the protean work of Costin Miereanu, She offers herself as a sound maze who lets herself be explored by strata. This broadcast will be an opportunity to varnish a box of six discs compiling electroacoustic music and for miereanu synthesizers, recorded between 1976 and 1982.


Every evening at 10:30 p.m., The listening salon offers a concert that combines a sound creation and the resonance dissemination of historical pieces or curiosities escaped from the vast repertoire of electroacoustic music.


More info: https://2023.archipel.org/fr/program/anouck-genthon-et-lionel-marchetti