Molière, Omar Porras read it and reread it, dreamed of it and also chose to stage it. It is a question here of reconciling the objectives of the art theater and the aspirations of a popular theater, A party theater affecting the greatest number. In the absence of their fathers who have gone on a trip, Octave, Son of argan, and Léandre, Son of Géronte, Flied up one of hyacinte which he has just married, Zerbinette's second, A young Egyptian slave. On the return from Argante, Octave, worried about what will be his father's reaction to the announcement of his union with Hyacinte, and short of money, implores the help of Scapin, Valet de Léandre ...

After composing major classical comedies, Ballet comedies and even a tragedy-ballet, Molière returns with this piece to the theatrical grammar of the farce with sticks, misunderstandings and duperies and that of the commedia dell'arte with figures of young first, old barbons and zannis.

Molière, Omar Porras read it and reread it, dreamed of it and also chose to stage it by Toris times: with El Don Juan, The deceit of Scapin and love and psyche. In all cases, It was a question of reconciling the objectives of the art theater - by developing a pictorial and unreal style, or quirky and explosive - and the aspirations of a popular theater - affecting the greatest number by the pleasure of a party theater, The strength of the plateau which he builds and the powerful vitality of the laughter he arouses: a challenge!