Musical cabaret inspired by the universe of Boris Vian, Embellished with Gainsbourg, Mozart or Puccini. Treat yourself to a pure moment of Lyrique cheerfulness! Musical / burlesque / creation cabaret
A long time, Until the publication of the games of days in 1947, Boris Vian was first known as a musician - of jazz in particular, and the trumpet to specify. It is the plot of this enchanted and crazy cabaret, mounted by master by Benjamin Knobil.
In what is agreed to call a musical cabaret, The setting is a gala evening where it will be a question of love, of health and freedom on all tones and in all forms: cow, keen, dripping, tragic, But above all funny. The songs are taken from the repertoires of Vian necessarily, Gainsbourg, Mozart or Puccini, And the inserts of a striking Madame Loyal of circumstance. Decor is a promise in itself, A scenographic abyss which befits the scene of the Crève Coeur. The 1950s have this in common with today to be a politically anxiety-provoking era, Where freedom found is at all times threatened by the Cold War and the fear of an atomic annihilation. The remedy: laughter in music and joy in songs!
Design: Lyric pranks
Direction: Benjamin Knobil
With: Francesco Biamonte, Eva Fiechter, Nasma Moutaouakil, Jacopo Raffaele
Arrangements and keyboards: Jacopo Raffaele
Scenography: Jean-Luc Taillefert
Costumes: Marine Lesauvage
Lights: Estelle Becker
COPRODUCTION: Compagnie Filomela and Le Crève Coeur