disappears & here of self-mirrac; through a single one in the unruly, a freezing. crazy.
to the d & eacute; And, at the bottom of it, a persistent desire: disappears & here. Make a fait in fate. Leave everything behind it, like & ccedil; without noise, for the world clips of the world. Melt in the landscape. One beautiful day, she said to pass & agrave; The action. She organizes her escape, even in the least of them. Once it is, it is chappe. But as nothing ever happens as we had a prosecutor - in life as in the case, it ends up resurfaced, in new forms, l & agrave; o & ugrave; It was not waiting for it to be & hellip;
in its new criteria, even Milie maquets auscults a d & eacute; She gives a joyful and unruly vision of it. For her, the leak is anything but a renunciation. On the contrary, it invents a new one to serve, like a raw vital, a force that pushes us & agrave; Cession and agrave; Entering it, Faced & Agrave; A world which, too often, assigns us and restricts us. In the vaporing of her own body, she entered us with her, & agrave; The search for a possible mo & eacute; It recomposes the dislocated pieces of its identity, to give it & agrave; his life a new meaning and contours.
With How to Disappear, Emilie Macquet is walking in her sir of M & Eacute; Artistic disciplines, & agrave; The search for new melting points. Appealing to words, movement, & agrave; Live music, & agrave; magic or even agrave; Ventriloquie, it lets you clater the riorit & éacute; of his character, literally, not without a certain jubilation. This is how we see it leaving & agrave; The meeting of his own organs, figure & eacute on the plateau & agrave; through the disturbing sculptures of the Lodie Antoine, Cr & éacute; Only face & agrave; Its c & oelig; its liver and its intestines, Milie MAQUETT transgresses the limits of the likelihood, with a large gifte; It engages with them a dialogue of the case, as only the case can invent it.
th & eacute;