Maud Gourdon pr & eacute; The power plant | BOX (24.11.2022 & GT; 19.03.2023). The artist questions the notions of & laquo; paration & raquo; and & laquo; D & Eacute; Coration & raquo; and explores & agrave; through them our relations to the F & Eacute; the Sant & Eacute; and to the mysticism.
The artistic practice of Maud Gourdon s & Écacute; Remement of disciplines identified as well as minines, passive and minor, such as the D & Eacute; ; crafts and craftsmanship, alternative to my own and mysticism. It questions the mansion of which the esth; In the exhibition comes from the expression of Maud Gourdon around the poultice, also call & eacute; Empl & Acirc; Base of clay, plants or flours, which artist uses as a sculptural and ornamental matter.
Rel & acute; today in the Cat & Eacute; Grandma; the poultice is, for the artist, li & eacute; & agrave; The maternal figure and knowledge that traditionally transmitted from m & egrave in daughter: manual work, cuisine, sewing, in -the -line coration; & agrave; Starting from the poultice rials are placed all around the exhibition space. For the aliser, the artist with a varoppp & eacute; A M & Eacute; Lange Compos & Eacute; dicinal clay and fiber v & eacute; and compress & eacute; in grav & eacute wood molds. This clay p & acircri; then becomes the morning and the support of a color of color patterns, between abstraction and figuration, between porridge and ornament.
Two possessive sculptures on the ground this installation. They are made up of a combination of words and figures instead in a black and white pattern reproducing knitting stitches. Placotes; The fact of this ornament, as a supervisor, these words acquired and intensities. The artist questions here with humor the aspect of the aspect, the co -eacute but also the curative of the language.