The works of N. Dash (& deg; 1980, Miami) are the sultate of an intense change, of the Gal & Agrave; & eacute, with what is close. In its practice, artist, artist transforms humble matters like d & eacute; Earth, jute, rope, bands of polystyr & igs; cup & acute in complex compositions. To do this, it borrows various m & acute; Thodes and substances & agrave; painting, & agrave; the sculpture, & agrave; photography and agrave; Imprimerie. A paradox seems to be of these transformations, because the & oilig; works can be perched and agrave; both as a refined and as simplistic.
vitalit & eacute; and the age of means of the constructions of the Dash of Draw of his attachment & agrave; Environment, both natural and built, as well as time, c & rsquo; is- & agrave; The norm interval in which biological life appeared on earth. The underlying tension between what is & laquo; given; & raquo; industrially and what is done manually, between imprints of the men and the human efforts for my & ICIRc; The exhibition will include a whole new production of artist.