Reunion, surprises, discoveries, works to review. This time we played the map of pluralism, we mixed the styles, the eras.

Artists brought their latest creations. We also looked, in our pool, older creations. One of them was exhibited in 1956 when the gallery was opened then in La Chaux-de-Fonds.


Exuberance of a chalk drawing for "interior circuits"; "Gogogirl", an oil evoking the struggle for the representation of women painters; In the same sector, an oil paint as spontaneous as it is irrational offering an emotional and personal vision of the world.

Further on, it is the absolute necessary of the formal elements: at an exact intervals pre -established, parallel strips of colors punctuating the surface of the canvas in a horizontal or vertical suite.

Opposition is a characteristic often present in art. The painter's life is never detached from the movement or the quest for balance.

Another of the artists presented uses a symbolic form, the bowl.


The visitor then goes into an evocation of nature and its strength, then discovers the game of the net and the vagueness; His wandering then invites him to immerse himself in the range of textures and colors; Then, she invites him to share the powerful and orphan beauty of the big city, in the existential discomfort of the world of today.


We also present a work of four Neuchâtel artists in their early days. Unexpected!


In summary, a panorama of sometimes divergent works, which coexist and enrich each other.