For Ann O'Aro, Maloya has established himself as obvious to speak of intimate subject and taboos.

This Reunion Blues, the singer, dancer and poetess in marrying the nagging pulsations to soften the shock of her words.

After a childhood spent in hell, she embodies, more than she sings them, her wounds, with a luminous interpretation force.

With a writing which, coming from the bottom of itself, also speaks of the ills of the society of its native island.


Accompanied on stage by the trombone of Teddy Doris and the percussion of Bino Waro, O'aro presents Longoz, the new album of the trio where the Maloya merges with the chalur energy of the Mauritian Séga, the parody Zouk, the hottest jazz and The music of the Balkans and the Maghreb.

The voice also pulls towards flamenco, vaudous rituals or blues flayed with a Billie Holiday.


If in his new songs, there are always blows and the fight, there is also humor, serenity, love and hope.

The overwhelming manifesto of a woman in struggle, saved by her art.

His message within universal scope is coupled with a magnetic presence.

Of those that stay in memories for a long time.