Graces, traditionally there are three: charm, beauty and creativity.

But in the room of Silvia Gribabaudi, there are four.

Three dancers and the choreographer.

The double shift in gender and number, already says a lot of this piece which gently makes fun of aesthetic conventions and physical standards.

On the set, this curious fourth is launching into all kinds of gestures, ventures into the impeccable Arabesque and very academic pirouettes, tries contemporary dance, clowneries or acrobatics, without forgetting the postures of ancient or classic statuary since The model of these graces is none other than the famous sculpture of Antonio Canova.

The whole is hilarious, but not only, the play is also a reflection on the stereotype of beauty, the eroticization of the female gaze, and the expected of the dance.

All without ever dwelling of course.