Following Humans, presented in Montbéliard in 2017, Yaron Lifschitza imagined Humans 2.0 as a message of hope, a love letter to our species at the time of the damage of the pandemic.

After homosexuality or the fate of migrants, the artistic director pursues his reflections here on the world with ten virtuosos from his troop.

It is not surprising for him, born in South Africa of emigrant Jewish parents who settled at his 11th birthday in Australia.

If the red thread of his work remains acrobatics, the apparatus multiply (trapeze, rope, canes ...) in a sophisticated staging, giving a good place to the work of light and the musical composition.

Bearers and Voltigeurs fill the tunes and roar on earth with inventive flights received hand-to-hand, from which emanates a particular sensitivity.

Their communicative joy represents the first step towards the power to celebrate being together in what it carries most possible.