In continuity of his fascinating macbettu in Sardinian language, Alessandro Serra walks again with Shakespeare by adapting the storm.

The striking images he composes, with black sails sparkling in the light and invasive mist, shake the senses as much as they touch the soul.

This atmosphere conducive to the witchcraft of Prospero reveals a world thirsty for power where political intrigues and revenge reigns.

With his usual acuity, the Italian director pays tribute to theatrical art and his artifices, simple but definitively spectacular.

On the island in which the protagonists agreed, the upset destinies of Ariel, the spirit of the wind at the service of the Magician, like the Caliban, slavery, serve as an abyss of human behavior: revolt against the yoke of A powerful for some, journey of initiation tests for others or explorations of pangs watching for an enlightened despot.

Everything happens before our accomplices, the relationship between actors and spectators allowing to reconnect with its initial charm.

She becomes again the place where man accesses his essence by asserting his right to imagination.