Two actors are working on a historical reconstruction which degenerates when spectators rebel about the version imagined by a high -worked cultural attaché.

Taken to task, they take refuge in the car of a woman who, soon recognizes one.

Little, they had a game: he was leaning for an emperor and she, with other children obeyed orders ...

Already on my national scene with zoo, little praise of imperfection, Jean Le Peltier explores here the idea that we can never totally put ourselves in the place of the other.

That we live in a place that can be described as a country, built around interior stories that have been made even when it comes to composing with the world ...

For this creation, the director deploys, once again, his offbeat poetry, his mastered innocence and his limitless imagination.

On the childish principle of "we only say that ...", the word of the four performers intertwines the situations, the times, the differences and the common points.

Next to them, there are dancers; logs that wear butterfly knots, because they think elegance is a cardinal virtue; A common sense with a different horse -drawn look ....

A country with a romantic tale that leaves room for sensation, indistinct and emotion.