Sylvère Lamotte / Lamento Company

It is by plunging back into his childhood during these long afternoons when time seems to stretch, May Sylvère Lamotte think of boredom. During these moments which seem endless, It was in the dance that the choreographer liked to take refuge. The body put in motion filled its boredom and the malleable gesture immersed it in an artistic and creative world. Boredom has linked its body to the creation process.

With this observation, The choreographer finds the theme of his show. Taken against the idleness, It is productive with poetry and imaginary. Because for Sylvère Lamotte, Boredom is a human time, necessary for any artistic hatching. And what could be better than the imagination of children to escape and forget boredom?

LikeAll this crash Scheduled last season, The choreographer puts physical and relational experimentation at the heart of his practice. Questions arise: what movements translate boredom? How to experience it physically? And collectively?

On the scene, Five dancers use their child's bodies and explore a slow dance, A dance of wandering and suspension. Between stretched movements and movements, They divert the primary meanings from their gestures to express their imagination. Thereby, It will not be a question of showing boredom as a lonely and inanimate instant, but on the contrary, To associate the collective with the movement.

Travel at the end of the boredom is conceived as a poetic mop in the world of childhood, Reminding us that getting bored is a chance.